Units: 3. Offered: Fall, Spring.

An introduction to the principles of two-dimensional design and color theory and their use as tools for effective visual communication.

Units: 4. Offered: Spring.

This course functions as the introductory drawing course for Art Majors and Minors. In it, the perceptual and technical skills, and the basic media of drawing are introduced and exercised. Drawing as an historic art form is studied and used to develop a sophisticated awareness of its current expressive potential.  Credit cannot be earned for ART 204 and ART 208.

Units: 3. Offered: Fall (Odd Years).

A survey of the history of western art from prehistoric times to the Renaissance. Lecture and slides.

Units: 3. Offered: Fall (Even Years).

A survey of the history of western art from the Renaissance in the Fifteenth Century in Italy to the Twentieth Century in America. Lecture and slides.

Units: 3. Offered: Fall, Spring.

This course provides an introduction to creativity through discussion and project-based learning. The course provides overview and practice of creative processes (e.g. ideation, research, empathy, proto-typing, etc), in-depth discussion of the theological foundations for creativity, and practice for developing creative habits.

Units: 3. Offered: Fall (Odd Years).

Basic elements of sculpture. Creating forms in clay, plaster, paper and multi-media techniques.

Units: 3. Offered: Fall, Spring.

Introduction to working with clay, using pinch, coil, slab and wheel; applying glazes, exploring decorating techniques using oxides. History of clay as an art form.

Units: 4. Offered: Fall (Even Years).

Projects introduce traditional painting methods in oils or acrylic paints. Applied studio work, slide lectures, group discussions, and field trips are possible. May be repeated one time for credit. Prerequisite: ART 201 or ART 204.

Units: 3. Offered: Spring.

This course builds a working knowledge of the historical and contemporary illustrators and various styles and approaches to the craft. Projects will build important skills in drawing painting, color theory, storytelling and typography.

Units: 4. Offered: Fall (Even Years).

An essential course for the serious art student. Projects in painting, drawing and digital media. Emphasis on developing skills and concepts. Course is designed to be repeated for credit. Section (a), emphasis in painting and drawing; section (b), emphasis in digital media using the Macintosh platform; section (c), Senior Exhibit preparation. Section (c) must be taken during student’s graduating semester. May be repeated twice for credit. Prerequisite: ART 201 or 204.

Units: 4. Offered: Spring (Even Years).

This is a combination studio/lecture course that focuses exclusively on issues of color, it’s aesthetic, symbolic and psychological dimensions, as related to visual expression. This content is applicable to both fine art and design-related fields. Prerequisite: ART 201 or ARC 122.

Units: 3. Offered: Spring (Odd Years).

Students will be reading writings by a variety of cultural theorists and historians, site visits, guest speakers, experiments and class discussions. Topics of Fine Art vs. Visual Culture (mass culture, printed matter, etc.) will be major points of exploration and discussion. This course is not a studio class but a class which discusses studio practices and ideas.  Pre-Requisite: ART 241 or ART 242

Units: 3. Offered: Fall (Odd Years).

The course will examine the pivotal role that the curators play in museums, and the ways in which the expanding art- world functions today. It will introduce students to aspects of museum work, with an emphasis on the role of the fine arts curator and curatorial theory and how this can integrate with becoming a professional arts administrator. May be repeated one time for credit. ART 241 or ART 242 or PHO 140.

Units: 3. Offered: Fall, Spring.

Senior Exhibition, provides unit reward for the work art majors perform en route to the creation and mounting of their required thesis exhibit. Prerequisite: Senior status and permission of the Department Chair.

Units: 3. Offered: Fall.

This course builds on a foundational understanding of creativity’s process and purpose. The aim of the course is for students to apply these foundations to the act of completing interdisciplinary creative projects in context. Prerequisite: DES 110.

Units: 3. Offered: Spring.

An introduction to philosophical aesthetics, which has been marginalized and often ignored in philosophical discourse during the past four hundred years. During the last few decades the questions posted by aesthetics have moved back into the center of the philosophical discussion, including the use of the concept by “post-modern” thinkers. The course seeks to bring the student into the longer conversation concerning beauty, “retrieve” important elements that have been lost, and provide a basis for further study. Prerequisite: ARC 210, ART 242, DES 310, FLM 250, GDM 310, ILL 210, PHI 213, or PHO 330.

Units: 3. Offered: Fall.

The purpose of this course is to enable students to understand the formation and context of various architectural ideas. This course on architectural theory provides students with a means to propose and navigate architectural discourse as a part of their development as architects. Prerequisite: ARC 242.

Units: 3. Offered: As offered.

A study of the major developments in the visual arts in Europe from David to the first Impressionist show in 1874. Lecture and slides.  Pre-Requisite: ART 241 or ART 242.

Units: 3. Offered: Fall.

A study of the development of modern painting from the French Impressionist movement to the present day in the United States. Lecture and slides. Pre-Requisite: ART 241 or ART 242.

Units: 3. Offered: As offered.

This course critically examines visual art and design on a global scale from 1945 to the present. We will consider art in the broader framework of “visual culture” which includes performance, installation, print media, video and propaganda. Prerequisite: ART 241 or ART 242

Units: 3. Offered: As offered.

As an introduction to the ancient Americas, this course will focus on seven major cultures in Mesoamerica (Olmec, Teotihuacan, Maya, Aztec) and Andean South America (Chavín, Moche, and Inca). The course concludes with the arrival of Spanish explorers in the 16th century and a brief analysis of new visual forms produced in response to new social, political and religious contexts. Prerequisite: ART 241 or ART 242

Units: 3. Offered: Fall.

This course covers the development of art in India and Southeast Asia (i.e., Cambodia, Thailand, Burma (Myanmar), Vietnam, and Indonesia,) from pre-historic periods to the present. Prerequisite: ART 241 or ART 242

Units: 3. Offered: As Offered.

This course will focus on women both as the subjects and the creators of art. It will be organized chronologically and thematically. This will involve a historical survey of women artists and their artistic contributions, as well as an examination of the religious, mythological and secular images of women in art. Extensive attention will be given to the creation, modification and persistence of these images throughout history, due to their respective religious, social, economical, psychological and intellectual conditions. Prerequisite: ART 241 or ART 242

Units: 1-4. Offered: As offered.

Projects in Art History topics of current interest not normally covered by established courses. Content variable. May be repeated twice for credit with change of topic.

Units: 3. Offered: Spring (even years).

National Cinema is an advanced course focusing on the most significant films and filmmakers of one country. It looks at cinematic history and practice in the nation being covered and may include a consideration of popular, independent, and/or art film. The course may cover the entire history of cinema in one nation or focus on a particular type of film or cinematic movement in one country. Special attention will be paid to the socio-historical contexts of the films assigned during the course. May be taken multiple times with change in topic. Prerequisite: FLM 150.

Units: 3. Offered: Fall.

World Cinema is an advanced course focusing on films made outside of North America and their socio-historical contexts. It looks at cinematic history and practice in diverse nations and introduces students to a range of non-Hollywood film styles and forms, including popular and art cinemas, from across the globe. May be taken multiple times with change in topic. Prerequisite: FLM 250.

Units: 3. Offered: Fall, Spring.

A study of the causes and effects of critical design movements. This course explores the political and social environments that shaped the creation and evolution of graphic design. This course will give students insight into different movements, such as the Medieval Era, Graphic Renaissance, Industrial Revolution, Art Nouveau, Modernism, Postmodernism, and the Digital Revolution. Students will also evaluate how the history of graphic design influences current design philosophies and strategies.

Units: 3. Offered: As Offered.

This course is an introduction and exploration in inter-media art. It will encourage interface and comparison within art and other disciplines.

Units: 3. Offered: Fall (Odd Years).

This course explores the major movements in the visual arts and design in the United States and Europe the years following the Second World War to the present day. Developing historically within the framework of industrialism and advanced capitalism, class conflict and political upheaval, globalization and the digital revolution, this course surveys the major movements of Modern-Contemporary art. Additional attention will be paid  to international developments in the art world beyond the West, and the relationship between museums, the market, and artistic practice.

Units: 4. Offered: Fall (Even Years).

This course is dedicated to developing facility at rendering the human form in a variety of dry media. The context for this is drawing from live models (clothed), augmented with anatomical drawing exercises It will also introduce students to the metaphorical/expressive possibilities of the human form. Prerequisite: ART 204.

Units: 4. Offered: Spring (Odd Years).

This course is a continuation and expansion of more advanced techniques in drawing. There will be an emphasis on concept building and storytelling through visual imagery. Students will explore new ways to think and approach drawing and the drawing surface. Prerequisite: ART 204.

Units: 4. Offered: Spring (Even Years).

Sculpture II is an expansion of Sculpture I. There will be an emphasis on scale and new materials such as wood, metal and found object assemblage. A large scale collaborative object for community outreach also gets explored in this class as well as a history in object making and their various functions. Pre-requisite: ART 225.

Units: 3. Offered: Spring .

Developing clay as an art form; study of properties of clay, glaze and their origin; fusion of materials; stacking and loading kiln, emphasis on wheel throwing. Prerequisite: ART 232.

Units: 4. Offered: Spring (Even Years).

Projects further develop skills learned in Painting 283. Applied studio work, slide lectures, group discussions, and field trips are possible. May be repeated one time for credit. Prerequisite: ART 283.

Units: 1-4. Offered: As offered.

Specialized instruction in various media. For the advanced art student capable of exploring a personal direction in his/her creative work. May be repeated twice for credit with change of topic.

Units: 4. Offered: Spring (Even Years).

This is a studio course whose aim is to develop increased mastery of the perceptual, technical and compositional skills involved with figure drawing. Prerequisite: ART 305.

Units: 4. Offered: As Offered.

This course is to focus on a continuation of skill development, with an emphasis on individual style and expression. This course is structured to encourage personal voice through idea generation, material investigation,  technical refinement and research. Students are encouraged to push the boundaries as they investigate materials, subject matter, process and interpretation related to image making. Prerequisite: ART 314.

Units: 4. Offered: As offered.

Advanced problems in sculpture and individual problems in various media. For Art majors and those who wish to develop individual statements in a sculptural media. Prerequisite: ART 325.

Units: 4. Offered: As Offered.

Advanced studies and mastery of the perceptual, technical and compositional skills involved with figure drawing. Prerequisite: ART 405.

Units: 1-3. Offered: Fall, Spring.

Under faculty supervision, the student will be assigned to a position, utilizing principles of visual arts acquired and employed throughout their university experience. This internship provides an opportunity for investigating and participating in field experience with a practitioner of the trade, giving depth and breadth to their understanding of visual arts as a whole. Prerequisite: Permission of the Department Chair.

Units: 3. Offered: Spring.

Advanced pottery with emphasis on wheel throwing and design problems. Individual objectives will more or less regulate the type of work done, although specific assignments will be given. Advanced-level performance is expected. Prerequisite: ART 253.

Units: 3. Offered: Fall, Spring.

An introduction to the principles of two-dimensional design and color theory and their use as tools for effective visual communication.

Units: 4. Offered: Spring.

This course functions as the introductory drawing course for Art Majors and Minors. In it, the perceptual and technical skills, and the basic media of drawing are introduced and exercised. Drawing as an historic art form is studied and used to develop a sophisticated awareness of its current expressive potential.  Credit cannot be earned for ART 204 and ART 208.

Units: 3. Offered: Fall (Odd Years).

Basic elements of sculpture. Creating forms in clay, plaster, paper and multi-media techniques.

Units: 3. Offered: Fall, Spring.

Introduction to working with clay, using pinch, coil, slab and wheel; applying glazes, exploring decorating techniques using oxides. History of clay as an art form.

Units: 4. Offered: Fall (Even Years).

Projects introduce traditional painting methods in oils or acrylic paints. Applied studio work, slide lectures, group discussions, and field trips are possible. May be repeated one time for credit. Prerequisite: ART 201 or ART 204.

Units: 3. Offered: Fall (Odd Years).

A survey of the history of western art from prehistoric times to the Renaissance. Lecture and slides.

Units: 3. Offered: Fall (Even Years).

A survey of the history of western art from the Renaissance in the Fifteenth Century in Italy to the Twentieth Century in America. Lecture and slides.

Units: 4. Offered: Fall (Even Years).

An essential course for the serious art student. Projects in painting, drawing and digital media. Emphasis on developing skills and concepts. Course is designed to be repeated for credit. Section (a), emphasis in painting and drawing; section (b), emphasis in digital media using the Macintosh platform; section (c), Senior Exhibit preparation. Section (c) must be taken during student’s graduating semester. May be repeated twice for credit. Prerequisite: ART 201 or 204.

Units: 4. Offered: Spring (Even Years).

This is a combination studio/lecture course that focuses exclusively on issues of color, it’s aesthetic, symbolic and psychological dimensions, as related to visual expression. This content is applicable to both fine art and design-related fields. Prerequisite: ART 201 or ARC 122.

Units: 4. Offered: Fall (Even Years).

This course is dedicated to developing facility at rendering the human form in a variety of dry media. The context for this is drawing from live models (clothed), augmented with anatomical drawing exercises It will also introduce students to the metaphorical/expressive possibilities of the human form. Prerequisite: ART 204.

Units: 4. Offered: Spring (Odd Years).

This course is a continuation and expansion of more advanced techniques in drawing. There will be an emphasis on concept building and storytelling through visual imagery. Students will explore new ways to think and approach drawing and the drawing surface. Prerequisite: ART 204.

Units: 3. Offered: As Offered.

This course is an introduction and exploration in inter-media art. It will encourage interface and comparison within art and other disciplines.

Units: 4. Offered: Spring (Even Years).

Sculpture II is an expansion of Sculpture I. There will be an emphasis on scale and new materials such as wood, metal and found object assemblage. A large scale collaborative object for community outreach also gets explored in this class as well as a history in object making and their various functions. Pre-requisite: ART 225.

Units: 3. Offered: Spring .

Developing clay as an art form; study of properties of clay, glaze and their origin; fusion of materials; stacking and loading kiln, emphasis on wheel throwing. Prerequisite: ART 232.

Units: 4. Offered: Spring (Even Years).

Projects further develop skills learned in Painting 283. Applied studio work, slide lectures, group discussions, and field trips are possible. May be repeated one time for credit. Prerequisite: ART 283.

Units: 1-4. Offered: As offered.

Specialized instruction in various media. For the advanced art student capable of exploring a personal direction in his/her creative work. May be repeated twice for credit with change of topic.

Units: 4. Offered: As Offered.

Advanced studies and mastery of the perceptual, technical and compositional skills involved with figure drawing. Prerequisite: ART 405.

Units: 3. Offered: Spring.

Advanced pottery with emphasis on wheel throwing and design problems. Individual objectives will more or less regulate the type of work done, although specific assignments will be given. Advanced-level performance is expected. Prerequisite: ART 253.

Units: 3. Offered: Fall.

The purpose of this course is to enable students to understand the formation and context of various architectural ideas. This course on architectural theory provides students with a means to propose and navigate architectural discourse as a part of their development as architects. Prerequisite: ARC 242.

Units: 3. Offered: As offered.

A study of the major developments in the visual arts in Europe from David to the first Impressionist show in 1874. Lecture and slides.  Pre-Requisite: ART 241 or ART 242.

Units: 3. Offered: Fall.

A study of the development of modern painting from the French Impressionist movement to the present day in the United States. Lecture and slides. Pre-Requisite: ART 241 or ART 242.

Units: 3. Offered: As offered.

This course critically examines visual art and design on a global scale from 1945 to the present. We will consider art in the broader framework of “visual culture” which includes performance, installation, print media, video and propaganda. Prerequisite: ART 241 or ART 242

Units: 3. Offered: Fall (Odd Years).

The course will examine the pivotal role that the curators play in museums, and the ways in which the expanding art- world functions today. It will introduce students to aspects of museum work, with an emphasis on the role of the fine arts curator and curatorial theory and how this can integrate with becoming a professional arts administrator. May be repeated one time for credit. ART 241 or ART 242 or PHO 140.

Units: 3. Offered: As offered.

As an introduction to the ancient Americas, this course will focus on seven major cultures in Mesoamerica (Olmec, Teotihuacan, Maya, Aztec) and Andean South America (Chavín, Moche, and Inca). The course concludes with the arrival of Spanish explorers in the 16th century and a brief analysis of new visual forms produced in response to new social, political and religious contexts. Prerequisite: ART 241 or ART 242

Units: 3. Offered: Fall.

This course covers the development of art in India and Southeast Asia (i.e., Cambodia, Thailand, Burma (Myanmar), Vietnam, and Indonesia,) from pre-historic periods to the present. Prerequisite: ART 241 or ART 242

Units: 3. Offered: As Offered.

This course will focus on women both as the subjects and the creators of art. It will be organized chronologically and thematically. This will involve a historical survey of women artists and their artistic contributions, as well as an examination of the religious, mythological and secular images of women in art. Extensive attention will be given to the creation, modification and persistence of these images throughout history, due to their respective religious, social, economical, psychological and intellectual conditions. Prerequisite: ART 241 or ART 242

Units: 1-4. Offered: As offered.

Projects in Art History topics of current interest not normally covered by established courses. Content variable. May be repeated twice for credit with change of topic.

Units: 3. Offered: Spring (even years).

National Cinema is an advanced course focusing on the most significant films and filmmakers of one country. It looks at cinematic history and practice in the nation being covered and may include a consideration of popular, independent, and/or art film. The course may cover the entire history of cinema in one nation or focus on a particular type of film or cinematic movement in one country. Special attention will be paid to the socio-historical contexts of the films assigned during the course. May be taken multiple times with change in topic. Prerequisite: FLM 150.

Units: 3. Offered: Fall.

World Cinema is an advanced course focusing on films made outside of North America and their socio-historical contexts. It looks at cinematic history and practice in diverse nations and introduces students to a range of non-Hollywood film styles and forms, including popular and art cinemas, from across the globe. May be taken multiple times with change in topic. Prerequisite: FLM 250.

Units: 3. Offered: Fall, Spring.

A study of the causes and effects of critical design movements. This course explores the political and social environments that shaped the creation and evolution of graphic design. This course will give students insight into different movements, such as the Medieval Era, Graphic Renaissance, Industrial Revolution, Art Nouveau, Modernism, Postmodernism, and the Digital Revolution. Students will also evaluate how the history of graphic design influences current design philosophies and strategies.

Units: 3. Offered: Fall (Odd Years).

A survey of the history of western art from prehistoric times to the Renaissance. Lecture and slides.

Units: 3. Offered: Fall (Even Years).

A survey of the history of western art from the Renaissance in the Fifteenth Century in Italy to the Twentieth Century in America. Lecture and slides.

Units: 3. Offered: Fall, Spring.

An introduction to the principles of two-dimensional design and color theory and their use as tools for effective visual communication.

Units: 3. Offered: Fall, Spring.

This course is one of the foundation courses that develop the perceptual and technical skills for effective drawing. Presents drawing as an essential tool for visual expression. May be repeated once for credit. This course is also recommended for general education.

Units: 3. Offered: Fall (Odd Years).

Basic elements of sculpture. Creating forms in clay, plaster, paper and multi-media techniques.

Units: 3. Offered: Fall, Spring.

Introduction to working with clay, using pinch, coil, slab and wheel; applying glazes, exploring decorating techniques using oxides. History of clay as an art form.

Units: 4. Offered: Fall (Even Years).

Projects introduce traditional painting methods in oils or acrylic paints. Applied studio work, slide lectures, group discussions, and field trips are possible. May be repeated one time for credit. Prerequisite: ART 201 or ART 204.

Units: 3. Offered: Fall, Spring.

This course provides an introduction to creativity through discussion and project-based learning. The course provides overview and practice of creative processes (e.g. ideation, research, empathy, proto-typing, etc), in-depth discussion of the theological foundations for creativity, and practice for developing creative habits.

Units: 3. Offered: Fall.

The purpose of this course is to enable students to understand the formation and context of various architectural ideas. This course on architectural theory provides students with a means to propose and navigate architectural discourse as a part of their development as architects. Prerequisite: ARC 242.

Units: 3. Offered: As offered.

A study of the major developments in the visual arts in Europe from David to the first Impressionist show in 1874. Lecture and slides.  Pre-Requisite: ART 241 or ART 242.

Units: 3. Offered: Fall.

A study of the development of modern painting from the French Impressionist movement to the present day in the United States. Lecture and slides. Pre-Requisite: ART 241 or ART 242.

Units: 3. Offered: As offered.

This course critically examines visual art and design on a global scale from 1945 to the present. We will consider art in the broader framework of “visual culture” which includes performance, installation, print media, video and propaganda. Prerequisite: ART 241 or ART 242

Units: 3. Offered: Fall (Odd Years).

The course will examine the pivotal role that the curators play in museums, and the ways in which the expanding art- world functions today. It will introduce students to aspects of museum work, with an emphasis on the role of the fine arts curator and curatorial theory and how this can integrate with becoming a professional arts administrator. May be repeated one time for credit. ART 241 or ART 242 or PHO 140.

Units: 3. Offered: As offered.

As an introduction to the ancient Americas, this course will focus on seven major cultures in Mesoamerica (Olmec, Teotihuacan, Maya, Aztec) and Andean South America (Chavín, Moche, and Inca). The course concludes with the arrival of Spanish explorers in the 16th century and a brief analysis of new visual forms produced in response to new social, political and religious contexts. Prerequisite: ART 241 or ART 242

Units: 3. Offered: Fall.

This course covers the development of art in India and Southeast Asia (i.e., Cambodia, Thailand, Burma (Myanmar), Vietnam, and Indonesia,) from pre-historic periods to the present. Prerequisite: ART 241 or ART 242

Units: 3. Offered: As Offered.

This course will focus on women both as the subjects and the creators of art. It will be organized chronologically and thematically. This will involve a historical survey of women artists and their artistic contributions, as well as an examination of the religious, mythological and secular images of women in art. Extensive attention will be given to the creation, modification and persistence of these images throughout history, due to their respective religious, social, economical, psychological and intellectual conditions. Prerequisite: ART 241 or ART 242

Units: 1-4. Offered: As offered.

Projects in Art History topics of current interest not normally covered by established courses. Content variable. May be repeated twice for credit with change of topic.

Units: 3. Offered: Fall, Spring.

A study of the dynamic relationship, which has historically existed between the content of Biblical texts and visual art, with consideration also being given to select examples of music and literature.

Units: 3. Offered: Spring (even years).

National Cinema is an advanced course focusing on the most significant films and filmmakers of one country. It looks at cinematic history and practice in the nation being covered and may include a consideration of popular, independent, and/or art film. The course may cover the entire history of cinema in one nation or focus on a particular type of film or cinematic movement in one country. Special attention will be paid to the socio-historical contexts of the films assigned during the course. May be taken multiple times with change in topic. Prerequisite: FLM 150.

Units: 3. Offered: Fall.

World Cinema is an advanced course focusing on films made outside of North America and their socio-historical contexts. It looks at cinematic history and practice in diverse nations and introduces students to a range of non-Hollywood film styles and forms, including popular and art cinemas, from across the globe. May be taken multiple times with change in topic. Prerequisite: FLM 250.

Units: 3. Offered: Fall, Spring.

A study of the causes and effects of critical design movements. This course explores the political and social environments that shaped the creation and evolution of graphic design. This course will give students insight into different movements, such as the Medieval Era, Graphic Renaissance, Industrial Revolution, Art Nouveau, Modernism, Postmodernism, and the Digital Revolution. Students will also evaluate how the history of graphic design influences current design philosophies and strategies.